As previously discussed, I took the kids and headed to New York for the weekend. Though I eventually ended up lost in the steam at the Russian baths, the kids and I had some other urban adventures as well.

As it turns out, Grandpa John and Grandma Judy were in town for the weekend, too. The occasion: to visit with my nephew Whalen, who happens to live in Brooklyn.

Whalen is a big boy. At five months, he is a pound heavier than Kato, who is sixteen months old. John and Judy are truly getting an opportunity to dabble at opposite extremes of the baby size spectrum.

And yet Kato fearlessly plunged into the strange new environs of the Fort Greene Park playground.

As did his fearless sister.

Asked why he had come to New York, Kato freely admitted it was for the Hot Chix.

And the really tall buildings.

This is the building where Baby Whalen resides. Here it is from another angle, rising like a shining promise.

Alden will be the first to tell you that tall buildings have elevators.

And that pesky little brothers can’t be trusted to push the right button.

Once we reached the 28th floor, Kato surveyed his domain.

While I enjoyed a longer view.

For just a moment, I could see the appeal of urban living. There was something quiet and peaceful about the seclusion of the 28th floor. The difference is, I only have to climb up to the hayloft to feel like I’ve escaped from it all in Chestertown.

Before I left the apartment, I had to take a shot of this fine fellow. You know you’re visiting with family when you see a French Explorer on the wall.

Etienne Brule is a character in our very first Idiots’Book, Facial Features of French Explorers, and this print is from our very first gallery show, The First Generation, which hung in the Carla Massoni Gallery in January 2007.

Here’s a closer look.

If you have never read the book (and if you have a spare 67 seconds), here is a Flash version to start your day.

I took this picture as I was driving out of town.

Threading through New York is, at moments, like rafting down the middle of a canyon—the play of light on vertical surfaces, the sense of being dwarfed, the abundance of stone.